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Evident in each restless, vibrant composition is Donaldson’s strong sense of color and feeling for space and light, which is achieved by her fusion of crushed, powdered natural pigments with oil paint that are applied in a freely expressive manner. Using tools other than traditional brushes she attacks the surface of the Unstretched Canvas in a direct approach that is additive and subtractive—a process one may associate with sculpture as much as with painting. She lays down luscious, pliant marks across the surface, then scrapes areas of the composition back, then vigorously adds and scrapes again to achieve her goal. Hers range of expression comprises the appearance of timeworn erosion of an aging city to the seemingly endless atmospheric depth cloaking a horizon in a hazy light. Sometimes elements of graffiti appear, their looping letters cutting through the roughly layered surface like traces of humanity on aging city walls or an ecstatic cry to the heavens splitting the sky.
Donaldson has attained a signature style that embodies both a sense of immediacy and freshness. One of her favorite subjects is Florida, and the paintings of her home state seem to burst with joy and the bright light of a sparkling Atlantic morning. Then, there are those works cloaked in a more moody and intimate softness of an indefinable depth and locale, which, like much of Donaldson’s oeuvre, have an overall atmosphere that recalls European Romanticism and Impressionism.
A native of Jacksonville Beach, Florida, Amy Donaldson has participated in Art Basel Miami, Atlanta’s National Jurried Exhibitions, Museum of Contemporary Art Jacksonville, 6 x 6 Project New York. Her works are in numerous private and public collections. She currently lives and works in Redding, CA.
